Veteran lyricist and screenwriter Javed Akhtar has voiced concerns regarding the current state of Hindi cinema, suggesting that filmmakers are increasingly shying away from addressing real social issues in their work. According to Akhtar, many contemporary films opt instead to explore themes like romance, ghost stories, and sex, potentially as a means of avoiding more challenging or controversial subjects.
Akhtar's critique extends to what he perceives as a decline in the quality of storytelling in Bollywood, with a growing detachment from regional and cultural authenticity. He observes that the emphasis has shifted towards action, often at the expense of nuanced characters and well-developed narratives. In an interview with The Lallantop, Akhtar didn't hold back, stating that many of today's Hindi filmmakers "dream in English," implying a disconnect from their cultural roots that leads to superficial storytelling. He argues that these filmmakers, often second-generation migrants raised in cosmopolitan Mumbai, have become distanced from the traditional stories and settings that once enriched Hindi cinema.
In contrast, Akhtar points to the success of South Indian cinema, which he believes resonates with audiences because of its cultural specificity and deeply rooted storytelling. He notes that South Indian filmmakers often continue to live and work in the regions where they were raised, creating narratives that are more focused and grounded, speaking directly to their own communities. Akhtar ironically notes that even South Indian blockbusters such as KGF and Pushpa draw inspiration from the very style that Bollywood seems to have drifted away from.
Akhtar has also criticized India's film regulatory bodies, suggesting that films reflecting societal realities often face censorship hurdles, while those filled with vulgarity are more likely to be approved. He believes that audience choices play a crucial role in determining the success of films, stating that "it is a bad audience that makes a bad film successful". He praised the film 'Saiyaara' for its "refreshingly calm and soulful" music, highlighting the balance that can exist in the industry with the right approach.
While acknowledging that there are exceptions, such as Vikramaditya Motwane's "Udaan," which manages to remain emotionally grounded, Akhtar's concerns echo similar sentiments expressed by other filmmakers like Anurag Kashyap, who has also blamed Bollywood's creative stagnation on decision-makers disconnected from real-life experiences.
Akhtar's observations raise important questions about the direction of Hindi cinema and the role of filmmakers in reflecting and engaging with the complexities of Indian society. He emphasizes the importance of cultural connection and authentic storytelling in creating meaningful and impactful films.
