Priyanka Bose, known for her compelling performances across a range of films, shares insights into her recent projects, "Jugnuma" and "Agra," and reflects on the industry's portrayal of vulnerability. She emphasizes the importance of celebrating vulnerability in diverse ways on screen.
In a conversation about "Jugnuma," Bose describes the film's dreamlike quality and the creative freedom she experienced working with director Raam Reddy. She also touches upon her experiences in other films, including "Lion," "Half Ticket," and the global series "The Wheel of Time," highlighting her adaptability and the lasting impact of her characters. Bose reveals that working on "Jugnuma" provided a sense of relaxation and connection with nature after a restless period during lockdown. She expresses a special fondness for the film and the opportunity to collaborate with people she admires.
Regarding "Agra," Bose acknowledges the film's exploration of uncomfortable and often overlooked realities within India. She notes that while Agra is typically associated with the Taj Mahal, the film delves into the lives of people living in suffocating environments, addressing issues such as unemployment, functional roles for women, and the lack of mental health resources. Bose hopes that "Agra" will eventually find a release platform, showcasing the depth of its storytelling and the collaborative efforts of men and women in its creation. She appreciates that the male writers of the film were able to write brilliantly for women and that men and women can collaborate professionally without conflict.
Bose shares her perspective on acting, emphasizing the significance of staying prepared for every role. She also discusses the differences between Indian and Western casting systems and how working in the West has influenced her views on solidarity among actors and transparency in casting.
When discussing "Agra", Bose recalls the challenging shooting schedule and limited resources, but emphasizes that the film avoided being banal due to the talented individuals involved. She appreciates director's collaborative approach, allowing her freedom to explore her character. She also touches on the difficulties actresses face in the industry, especially concerning body image and the potential for online harassment.
Bose also touches on the magic realism genre, as seen in "Jugnuma", describing it as something that is discovered while watching, open to individual interpretation.
Moreover, Bose expresses her admiration for Manoj Bajpayee, highlighting his support and the opportunity to know him beyond his public persona. She acknowledges the pressures women face in the industry to conform to beauty standards, and admits that she feels like quitting many times when she is not getting consistent offers. Despite these challenges, she remains competitive with herself, striving to surpass her previous work and seeking opportunities for artistic exploration.
